About
Gregory Good is a composer and music producer based in Los Angeles. His orchestral works have been performed by the Mansfield Symphony Orchestra, Dallas Wind Symphony, and the Ithaca College & Baldwin Wallace Symphony Orchestras.
As a result of being granted the Lee Goldstein Music Composition Award at the Baldwin Wallace Conservatory, he was commissioned to write something came from nothing for orchestra and develop a multisensory performance with visuals projected onto the ensemble. This coincided with his research project that Baldwin Wallace also funded, entitled The Multisensory Concert Experience, a Future for Contemporary Concert Music. He has maintained close relationships with film directors, writing and producing numerous scores for film and dance projects, most recently his 1920’s jazz score for Spacehead Productions’ Scott and Zelda At Home (2025)..
An accomplished arranger, his choral settings of the folk songs Half Acre and Leave me Here have been performed by high school and collegiate choirs all over the world, having been distributed by Gia Publications as a part of the Music from Westminster Choral Series.
Greg also sings bass and arranges for Keiju Kollektiv, a new Nordic contemporary vocal ensemble based in Los Angeles that celebrates the traditional music of Denmark, Iceland, Finland, Norway, and Sweden
The Baldwin Wallace Symphony Orchestra performing the world premiere of something came from nothing (September 30, 2016, Berea OH)
Gregory has served as the assistant music director for the Pittsburgh Civic Light Opera’s summer season and has spent many years teaching musical theater, piano and composition at Art House Astoria in Queens, NY.
Recently, he has worked as a set production assistant for several movies and tv shows, some of which include Maestro (2023), Only Murders in the Building S2 (2022), and No Hard Feelings (2023).